Philharmonic Choir

Head Department
Bejan Olga
Head Department
Choir conductor
Lászlóffy Zsolt
Choir conductor
Piano
Andone Violeta Camelia
Pianist
Soprano
Bulzan Annamária

Soprano

Dehelean Adriana Aniela

Soprano

Duțu Maria Magdalena

Soprano

Gergely Erna

Soprano

Lakatos Adél Katalin

Soprano

Măslină-Pop Ancuța-Gabriela

Soprano

Midoschi Narcisa

Soprano

Rus Carmen

Soprano

Secară Diana Carmen

Soprano

Varga Cecília

Soprano

Alto
Árkosi Iuliana

Alto

Bejan Olga

Alto

Dozsa Ilona Alexandra

Alto

Dume Florina Liana

Alto

Gîrz Tabita Ligia

Alto

Ile Corina

Alto

Nagy-Kristófi Borbála

Alto

Pataki Hașaș Ramona India

Alto

Scurt Georgeta Anamaria

Alto

Vidican Alina Nicoleta

Alto

Tenor
Bejan Nicolae Marius

Tenor

Fehér Arthur

Tenor

Ferencz Vilmos

Tenor

Iloc Ovidiu Vasile

Tenor

Kiss Huba Ernő

Tenor

Lakatos Ștefan Alexandru

Tenor

Mureșan Felician

Tenor

Varga Imre

Tenor

Bass
Benczédi Hunor Lehel

Bass

Mikló Péter Róbert

Bass

Mureșan Voicu

Bass

Niculaș Ioan Ovidiu

Bass

Olah Viorel Vlad

Bass

Rus Sebastian Lucian

Bass

Tasnádi Ferencz Zoltán

Bass

Torjoc Olimpiu Ioan

Bass

LÁSZLÓFFY ZSOLT – Choir Conductor

He was born in Cluj in 1973, where during his studies he came into contact with important representatives of the Cluj musical life, such as Papp Tibor, Buzás Pál, Demény Piroska, Szegő Péter, and during his studies at the conservatory: Terényi Ede, Dan Voiculescu, Vasile Herman, Cornel Ţăranu, Angi István, Ferdinand Weiss. He has been actively studying composition since the age of 12, and as a pianist, he has been actively performing since his high school years, later abroad (Finland, Austria, etc.). He graduated from the Gheorghe Dima Academy of Music: composition department in 1996, conducting department (Petre Sbârcea) in 2000. Since the 1990s he has participated in numerous master classes in Austria (Wiener Musikseminar), Germany (Stockhausen-Kurse), France (Center Acanthes), Italy (Cantiere di Musica Attuale), and Hungary (Bartók-seminar, Szombathely). In addition to the compositions intended for the stage, he writes instrumental music (solo and chamber), religious, vocal, choral, electronic, concert music, etc. He started his pedagogical activity at the Academy of Music in Cluj and continued it at the Faculty of Music in Oradea. Currently, he is an associate professor at the Faculty of Arts of the Partium Christian University. He completed his doctorate in composition at the Academy of Music in Budapest in 2008. Since the beginning of his studies he has been awarded and laureate in several composition competitions and winner of several creative scholarships (among others Kodály and Toduţă scholarships), his compositions are performed in several European countries. As a conductor, between 2003-2005 he conducted educational concerts at the Oradea Philharmonic, presenting over 50 works from Monteverdi to Webern. Since the autumn of 2006, the conductor of the Philharmonic Choir has been appointed by competition, during his activity, the oratorios have been staged, among others: Kodály Zoltán Te Deum, Sigismund Toduţă Mioriţa, Haydn Creation and Seasons.

Philharmonic Choir History

Starting from the nucleus offered by Camerata Felix, to which students of the Faculty of Music from the University of Oradea were added, in 1997, at the initiative of the director of the philharmonic, Romeo Rîmbu, the Oradea Philharmonic Choir was born.

The conductor Avram Geoldeș said: “… The Philharmonic Choir is an indispensable link in the musical life of Oradea. Through it, the local concert activity will be colored essential, offering the institution-wide possibilities of repertoire diversification in the sense of the systematic cultivation of vocal-symphonic creations “.

Avram Geoldeș dedicated his work to the creation of the Oradea State Philharmonic Choir, currently, the repertoire list of the ensemble holding over 200 titles, covering practically all stylistic eras and musical genres: a cappella, cantata, oratorio, requiem, opera, symphony with choir and so on

Under the guidance of conductor Avram Geoldeş, in addition to the vast repertoire approached, the choir added to its record 2 two prints: “Liturgy of St. John Chrysostom” by Liviu Comes (1998) and a C.D. edited in Vienna (1999).

On August 28, 2005, conductor Avram Geoldeș passed away, leaving all those who knew him deeply saddened. The choir, whose founder and trainer had died out, aims to continue its activity in the same spirit of valuable artistic creations.

The 2005-2006 season finds the choir in a period of transition. The new conductor, the young Carmen Bocioc (b. 1978), a graduate of the Faculty of Music in Oradea, a direct disciple of the conductor Avram Geoldeș, studying in art the art of choral conducting with the master Geoldeș, tried to keep the choir at the same professional level, approaching with seriousness and success works such as: “The Byzantine Easter Oratory” by Paul Constantinescu, “Messiah” by Handel, “Requiem” by Mozart or “The Last 7 Words of Jesus on the Cross” by Cesar Franck.

From the autumn of 2006 until now, at the helm of the Philharmonic Choir, we meet the conductor Lászlóffy Zsolt (b. 1973). Conductor, Ph.D. in composition (Budapest Academy of Music), associate professor at the Partium Christian University of Oradea, Lászlóffy Zsolt is a contemporary artist whose training is based on the famous and appreciated music school of Cluj, as well as important European music centers. from Austria (Wiener Musikseminar), Germany (Stockhausen-Kurse), France, Italy and Hungary.

Lászlóffy Zsolt delivers a new breath in the life of the ensemble, coming with the conducting technique of a traditional music school, which is the musical creations approached by the choir under his guidance: “Advent Antiphons” by Bob Chilcott, “Messa in G major ”By Francis Poulenc,“ O sacrum convivium ”by Olivier Messiaen or“ Our Father ”by Ovidiu Iloc (choir member),“ Te Deum ”by Kodály Zoltán,“ Miorița ”by Sigismund Toduță.

With a high level of professional training, Lászlóffy Zsolt always manages to enrich the choir’s repertoire. Vocal-symphonic concerts are completed by a cappella and opera performances.

Although it is considered to be a relatively young choir, the over 20 years of activity have transformed the ensemble into a choir with tradition, which can seriously approach any musical genre. This choir found in Oradea a favorable environment for manifestation and professional development both through the inexhaustible sources of talent, students and graduates of the Faculty of Arts-Department of Music, University of Oradea, Partium Christian University and Emanuel University and through the prism music-loving audience, a true supporter, active participant and indispensable in the choral musical life of Oradea.

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